Philippe Diaz
Cinema Libre Studio
Previously Aired On: August 28, 2007 - Listen to the Show
Born in Paris France, Philippe Diaz studied Philosophy at the Sorbonne in Paris, and began his film career as a director in 1980. After directing and producing several short feature and documentary films, commercials and corporate videos, Diaz moved fully into the producer’s role with his first feature film, “Havre” by Juliet Berto (cult actor/director of the French New Wave). His second feature, “Rue Du Depart” by Tony Gatlif (“Gadjo Dilo”) starred Gérard Depardieu, winning several Grand Prize awards at major international festivals.
His third feature, “Mauvais Sang” by Leos Carax (the first film about AIDS) became an international hit, winning one of most important awards in France, the 1986 Louis Delluc award, and was also nominated for 3 Césars (the French Oscar) as well as winning major awards around the world. This was a movie known for defining a generation, as well as for launching the careers of Juliette Binoche and Julie Delpy.


Sarah Hayne’s career started mid-college when she won a Plympsol’s record on newly launched alternative radio station 91X in San Diego. While picking it up, she overheard the receptionist trying to fill a request line shift, and volunteered to take it herself. This led to an internship, and soon thereafter, a full time job in the promotion department. After working her way up the promotion ladder for 3 years, Sarah advanced to music programming, where she worked with record companies nationwide.
Sixteen-year-old Pete Seeger, enrolled at the Avon Old Farms School in Connecticut, decided to become a hermit. His life since has been one social cause after another, buoyed by an almost indefatigable career as a self-described “sing-along leader.” During the 1930s he attended Harvard, from which his father the musicologist Charles Seeger (a member of the Industrial Workers of the World and a conscientious objector during World War I) had graduated in 1908. As an alternative to his major, Sociology (which he disliked), he played tenor banjo (failed to make the Harvard Jazz Band) and participated in the pacificist, communist Harvard Student Union so much that he lost his scholarship, leaving Harvard in 1938.







